19 I 91Jelena Pajić, Katya YanovaJane Efremova 27 August – 19 September 2026 Opening: Thursday, August 27, 8 pm . About the exhibition The exhibition takes 1991 as its point of departure, the year of the dissolution of the Soviet Union and the beginning of the wars in the former Yugoslavia. Born around this historical threshold, Jelena Pajić and Katya Yanova come from generations that inherited the legacies of these events rather than the events themselves. Working with photography, video, archives, found objects, and personal and collective narratives, their practices examine how historical events are carried into individual lives and memory. What is remembered and preserved is considered alongside what remains unspoken: gaps, contradictions, tensions, unexpected resonances, and experiences that are often impossible to articulate or transmit directly. “19 I 91”…

“Can’t Exist by Myself” Performance by Stefanija Arsovska and Iva Damjanovski@stefi.ars | @ivadamjanovski 🌌 Student nomadism and musical optimism have brought us two young artists who will tell a story of female initiation as a painful process of personal transformation. Stefanija is a young designer from Skopje who graduated from the Moscow Faculty of Fashion and Design. Through her unique collection, she explores the relationship between the part and the whole. Drawing on mythological motifs intertwined with personal experience, and accompanied by Iva’s live music, they will reflect on whether freedom truly exists and what we do with the freedom we attain. 🎏 8 August 2026⏳ 9:00 pm🌎 U10 Art Space | Kosovke devojke 3, Belgrade | @u10_artspace 🌃 Join us for a process of becoming monstrous – transforming the little humanity that remains within…

What are the limits of technology in shaping our reality? What dangers arise from the age of post-truth, consumerism, and the endless flow of information that, through algorithms, relentlessly competes for our attention? Is the progress promised through technological advancement and the development of artificial intelligence a utopia reserved for the wealthiest consumers, or the foundation of a new class society? Where did the free space of the internet disappear, and when did surveillance begin? Ultimately, is technological progress also a question of freedom? The works gathered within the thematic section “Technology, Consumerism, and Post-Truth” begin with one central question: how does the digital environment shape contemporary sensibilities and everyday experience? Through diverse artistic approaches, the participating artists examine the attention economy, algorithmic mediation, fast-content culture, and the production of truth,…