Odkuda / form from

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Reflektor gallery, Užice, Serbia
April 2nd – 16th 2019

Curator: Velimir Popović
Exhibitors: Lidija Delić, Nina Ivanović, Sava Knežević, Aleksandra KovačevićIsidora Krstić, Iva Kuzmanović, Jelena NikolićNemanja Nikolić, Tamara Spalajković, Emir ŠehanovićMarija Šević and Darko Vukić


Exhibition entitled “одкуда/ form from” will show works of members and artists from U10 collective (Lidija Delić, Nina Ivanović, Sava Knežević, Isidora Krstić, Iva Kuzmanović, Nemanja Nikolić i Marija Šević) to the audience of the city of Užice (Serbia). Apart from members of the aforementioned collective, the exhibition will feature works by Tamara Spalajković, Aleksandra Kovačević, Jelena Nikolić, Darko Vukić and Emir Šehanović Esh. In the role of curator is Velimir Popovic.
The exhibition is part of the cooperation between the UVUU (Association of Visual Artists Užice) and U10 Art Collective. The first part of cooperation was the setting of the works of artists from Užice in the famous Belgrade art space, which aims to promote young creators from the country and abroad.

odkuda / form from
This project aims to continually “re-construct” the viewer by establishing an (interactive) communication between the individual exhibitors featured at the gallery with the present contexts, configurations and materialities.
All works embody the strategy to precisely and conceptually localise the viewer; or the attempt of accurately positioning a trace (found in a particular database) as a blueprint for its materialisation. In this way, the interaction between the individual artists, together with the interaction between their respective works (positioned in space by observing communicational processes), could be defined as an exchange of logical frameworks between two or more models.
Having in mind that the exhibition space is located in former barracks (the building of the IV regiment barracks), and as such contains undiminished traces of the disciplinary institution that it was, we can draw the following conclusion:
It is possible to put up an exhibition so that the trajectories of the individual artworks’ realisations ‘align’ or ‘conjoin’ with the trajectories of the disciplinary institution turned exhibition space. 
The working hypothesis of the exhibition is: Affect is difference.

 Translation: Isidora Krstić