The exhibition of Filip Savković represents a logical continuation and further development of the themes that occupy him as an artist. In his characteristic syncretic spirit, the author combines, both conceptually and visually, thematically related elements of different cultures, schools of thought, and religions, insisting on the universality of human experience, or rather one of its particular aspects: love. In the exhibition titled “Symposium”, he transforms the gallery space by drawing directly on the walls, guiding us into a kind of temple. The tripartite structure corresponds to the love narrative and to the protagonists’ (as well as the artist’s own) relationship toward life. In the first segment, we see scenes from the everyday life of a couple engaged in various activities. The arrangement of scenes is non-narrative and therefore does…
